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Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Clearly Gary was a high gain player but not always. It might help to have certain tracks in mind to try and emulate those specific tones.
I think it helps to have a trick up your sleeve in the form of an out of phase Les Paul too.
I think the core of the sound in later years though was at least one TS style pedal into an already cooking Marshall.
What era are you going for?
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
You'll never sound exactly the same though because you haven't got his fingers......
Maybe you just suck. Doing those descending pentatonic legato licks with your fist and second fingers the way he does gives a certain sound that's very particular.
Which particular tone are we talking about? He has varied wildly throughout his career.
My favourite sounds were on Back to the Blues
The JCM800 ain't going to do this at bedroom levels. Set it clean and run a Tubescreamer set for a cleanish boost into a medium dirty RAT.
Add some delay, aroun 314ms with the third repeat barely audible and some digital plate reverb
Make sure your Strats have modern voiced pickups.
Pretty much there
The JCM800 ain't going to do this at bedroom levels. Set it clean and run a Tubescreamer set for a cleanish boost into a medium dirty RAT.
Add some delay, aroun 314ms with the third repeat barely audible and some digital plate reverb
Make sure your Strats have modern voiced pickups.
Pretty much there
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