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View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
The way I work is quite old school. I have patches that hold a single amp block, with switchblade x/y gain/eq settings - like a twin channel amp. My FX routing is simple and identical per patch.
So instead of having banks of 5 presents on the MFC, with a bank up and down buttons - I could run 4 channels and a patch up and down button. Each patch would be a separate 4 channel amp (but would no necessarily be the same amp - think clean fender, pushed fender, marshal crunch marshal lead for one patch - same layout for others but different flavours).
Thing is - Id need the 4 channels on FS buttons, plus a bank up and a bank down - then dedicated buttons for drive, reverb, delay, chorus, phaser, flanger, rotory, trem and compression.
With a 12 button controller, Id need a scene toggle - so thats the channels, patches and toggle taking up 7 of the 12 already. I could run drive 1, reverb, delay and phaser along with a solo volume lift on the last 5 switches (as there the most used), then put drive 2, compression, chorus, flanger, rotory/trem (and only have one in a patch) the 5 effect buttons (top row) leaving the others the same as scene 1. It could work, but means two button presses for some FX not one - and Im not a fan of that way of working really.
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
Price for a foot controller is “Tree Fiddy” according to Cliff. Which seems reasonable, to be fair. I’m guessing it’ll be the price of the smaller one though.
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
so it'd be one switch per scene
I have no idea what the prices are going to be yet however something around $350 for the FC-6 might be possible. Those little LCDs aren't cheap.
It looks pretty sweet though with all the lights
Yeah, it’s not going to sound much different at all for the moment.
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
I doubt my fkd up ears would perceive much or any difference at all..
the major gain though is the channels feature, the bigger grid and all that extra horse power
it means you'll be able to get it to jump through even more hoops than the Axe-II can jump through [which is not exactly insignificant at all]..
to someone like me, it'll manifest itself in bigger, smarter presets that make the on stage performance experience even more capable and flexible than it is already..
so for me that's quite a thing