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Take a couple of live acts that change their guitars a lot during a gig. I for one can tell the difference between Bonamassa on a Strat vs a Les Paul. It’s pretty obvious. When he switches to an ES-335 it’s closer to his LP but certainly not identical.
Same with Keef on a tele vs semi hollow or other Gibson.
Yes you could say a non guitar player might not notice or care but that doesn’t mean the guitars are inseparable.
The guitar is a 'system', yes some things have a bigger impact than others but everything does have an impact.
Neck thickness, neck material, finish material etc. all play a part and it's really easy to prove that.
For example, I have just sold my 1953 conversion, and I have a 54 Goldtop - both these guitars played unplugged sound different, why? It has to be the wood - but there is a family resemblance.
I've compared both of those to two 59 Les Pauls, which sounded very different again to the Goldtops - why? Because Gibson changed the supply of wood with the introduction of hum buckers in 57 and the 59s sounded like siblings unplugged, but like cousins to the Goldtop.
I also have a 1972 Les Paul Custom, which is completely different again - not subtlety at all, but the loudest of the bunch - again unplugged.
Similarly, I have a 56 Esquire and a 66 Telecaster. The Tele has a relatively slender rosewood neck, the Esquire a deep 'V' maple neck.
Again unplugged, the Tele is relatively warm, quieter, slightly softer. The Esquire is loud, more treble and snap - all of which translate into plugged in.
Interestingly I tried swapping necks between the guitars and much of the snap and volume moved with the neck.
Back to the OP, if you take a HB guitar, upgrade the electrics (including the loom), get it set-up etc. will it challenge a R8? I seriously doubt it, the wood shouldn't be anything like the same quality, the fret job might not be so accurate, and the finish is likely to be thicker and more plastic.
The question is really does it matter to you? If you're playing with all controls on the guitar on 10, through really high gain settings - the HB might well be enough.
I've been playing a very long time (30+ years), for much of that - actually the lower priced instruments were fine for me, that's fine for some points of reference and some styles of music it's all you need.
Playing a bit slower, with less gain, maybe using the guitar controls more - and the differences (to me) become more apparent.
Surely it's about finding a guitar that you like and works for you at your playing stage? For most of my life I've been a Strat player, now I'm almost exclusively Les Pauls with a bit of Tele thrown in - in 10 years time, who knows?
For most of my life my Les Paul experience was in owning Studios, I would definitely think with a new loom, pickups, frets and tuners one of those would give a R8 a run - but really for me, it's largely immaterial and also down to neck profile working for me
I don't know if I'm trying to make a point about anything, just making an observation.
The other thing that struck me was how flipping thick the body was, along with the hefty neck I felt like I was playing a giant's guitar.
You thought a Tele body seemed thick after being used to a Les Paul?
Whenever I pick up an LP I'm always a bit shocked by just how bulky it is, although the actual body outline is quite small.
If you heard an unknown recording without knowing whether the guitar was a Les Paul or a 335, would you be able to tell which?
If you heard an unknown recording without knowing if it was a Les Paul or a Tele, would you be able to tell which?
If you heard an unknown recording without knowing whether it was a Les Paul or a Strat, would you be able to tell which if the player was using either the bridge or the neck pickup alone?
You may be surprised by the answers, some of which are on famous recordings...
Certainly, if I'm playing a Les Paul and I swap to a Strat without changing the amp settings, you'll be able to tell. But that's not the same thing.
gringopig's test is not a pseudo-experiment, it's a simple blind test. Some differences were apparent - for example I got the Jaguar on the first go - but there's really far less difference between any electric guitars than you think there is, when you don't know what is being played.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
My band, Red For Dissent
My R9 is one of the lightest guitars I own, certainly lighter than my Strats and tele.
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If the latter, does your point here not pretty much mean anyone putting a humbucker in a Strat is wasting their time and money?
What would the point be of you switching between your 2 guitars if they both sound the same anyway?
I've never done any blind test or anything but I do find it hard to believe that Strats (on the neck or bridge) and Les Pauls are interchangeable when they seem to sound so distinctly different to me.
At a point I wanted to go down to just a single guitar and tried as hard as I could to get it to make the sounds I like from the Les Paul but couldn't get it close enough. Then switching over to an actual Les Paul (not necessarily keeping all the same settings on everything else) just confirmed how far away I was with the Strat.
That wasn't in a band bix or a blind test though, but I did really want to be able to get the LP tones from the Strat at the time.