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The yard is nothing but a fence, the sun just hurts my eyes...
But I also think it’s wrong to say that a high action isn’t a QA slip up. Surely if the action is at 3mm, then that’s what it was when it had any sort of a play test and with an action that high, you’re not going to learn much about the fretwork etc. It could be rough as guts and still have not issues with an action that high!
I think what I was trying to get at with my last comment - I suspect since the guy said he owns cores etc the immediate reject was because it didn’t live up to expectations. Where expectations should be ultimately comes down to what is inferred by brand/marketing vs the reality of cost. And whilst logically nobody should be expecting a £4k guitar for £1k it’s a very fine line to walk for a premium/luxury brand - especially when they heavily lean on the USP of quality.
Or put it this way - if David Grissom walks into a store and pull that guitar with the 3mm action off the wall how does that end?
Artists may well use whatever the shop they are performing in supply, but if you're that shop owner I suspect there's a bit more prepping and flapping going on about the imminent arrival of one of your heroes
I was just poking fun at all the PRS fan folk who always like to tell us how great they are and have better QC than other brands, blah blah blah. Goes to show it's generally all bollox, there's good and bad in every brand and PRS didn't do owt revolutionary really, he just made high quality guitars.
The yard is nothing but a fence, the sun just hurts my eyes...
Or Fender's as my MIA Strat could do with a fret level as there's a couple buzzy frets around the middle somewhere?
My Tremonti SE on the other hand doesn't have any of those problems, but I did buy it second hand via a reputable shop so I have no idea of it's history.
However I do wonder who is meant to do the final QC?
I would expect most shops would give any guitar they sell a quick check over for any obvious issues, but if you're buying from a boxshifter, I'm going to guess the last QC was the factory.
The one that sticks in my mind is an old Anderton's video that showed them QC'ing a fresh batch of Chapman's, so I am wondering if that is common practice, or an exception?
When PRS push their brand as being meticulous on quality - straight off a wall and out to a gig - I think it’s fair to see if that bears out. Since it’s theoretically part of why someone may be persuaded to spend £x more than an Epiphone, what do they get for that £x.
The yard is nothing but a fence, the sun just hurts my eyes...
Mind you that'll be the same people who insist a Gibson Les Paul will self combust if you dare even think about getting it out of a case or putting it on a stand, yet mine has done loads of gigs, a festival, and numerous rehearsal room outings yet is 100 percent intact and still looks great aside from some small dents/chips and a bit of lacquer checking. Perhaps the shit you read on here is mostly bollox then??
The yard is nothing but a fence, the sun just hurts my eyes...
So much speculation about this guitar with a good dose of the usual negativity towards PRS..
No one knows what they're like until one of us has actually tried one, plugged it in and had it in their hands.
Fender get it for magic Mexican hands and heavy use of limited run models and colours.
I own both Fender and Gibson for what it’s worth. I like my guitars but that’s as far as I signed up for. I must’ve missed the induction day shilling course.
PRS I’m just firing at the for something they make a virtue of. They position on being a cut above because of obsessive QC.
I don’t own a PRS, I wouldn’t be against having one.